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"Athletes use
their muscles to the extreme, often leading to painful conditions.... But
what about musicians, such as the classical pianist who practices etudes and
arpeggios up to 15 hours a day, or the rock guitarist running pentatonic scales
six hours in a row? ...Couldn't there be a nearly athletic muscular strain
born of such continuous physical demands?"
"Dr. Michael E. Charness, director of the Brigham and Women's "performing
arts clinic," believes the answer is yes. ...Charness is one of a handful
of doctors in that narrow medical specialty."
"I've seen a lot of musicians who go to doctors with their problems, just
to be told it's all in their head. Or they are told to stop playing their
instrument. You can't tell musicians that."
"Karen Choo, a 24-year-old violinist with ulnar nerve problems thought [her
pain] was just because [her] technique wasn't strong anymore.... I felt relieved
... that it was actually a physical problem, and ... there was something I
could do about it."
"Charness should know. He's had the same operation Choo had for musical injuries.
In addition to practicing medicine and being a research scientist..., Charness
has played piano since he was 9."
"I'm a neurologist, I'm a scientist, I'm a dad, I'm a musician," says Charness.
"In the insular world of classical musicians, word spread quickly, and patients
began to come [to the performing arts clinic at Brigham and Women's Hospital]
from Europe, Canada, and across the United States."
According to Regina Campbell, owner and clinician at Performing Arts Physical
and Occupational Therapy in Brookline, Mass., Charness understands musicians.
"He knows what they're talking about, knows the instruments, the posture,
the technique. He knows what it's like to play too much, and he knows how
to fix it."
These excerpts
are from a story that appeared in The Boston Globe, Nov. 2, 1998. |
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