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At almost
any time of the day, it's more than likely that music is playing in the
home of Michael and Deborah Charness.
As early as 7 a.m., Daniel Charness, 10, is up and practicing his cello.
As late as 2 a.m., Michael Charness, a doctor, is still awake playing
his piano. During the day, Deborah Charness may catch a chance to practice
her flute when she's not teaching young musicians or shuttling the three
children to their various daily activities. In the afternoons and evenings
the two girls, Sarah, 12, or Jenny, 7, fill the house with violin music.
On a daily basis, each family member practices separately. But as often
as they can, the five musicians come together in their Waban home to rehearse
the pieces they perform as The Charness Family Quintet.
The idea for a family act came six years ago when Michael and Deborah
were performing at the Newton Free Library. In a moment of inspiration
they invited Sarah, then age 6 and a budding violinist, to come on stage
with them to perform a minuet. Daniel added his cello to the mix at age
5, spending months in preparation to join in for one musical number. Two
years ago, Jenny joined to complete the quintet.
They attract far more attention as a family act than the couple did as
a duo, and the children are now fully integrated into the performances
of mostly classical music.
"Our last performance was an hour long, and my solo was two minutes. They
all do solos," Deborah said.
The family still gives an occasional concert at the Newton Free Library,
but they now get requests to perform throughout New England. On Sunday,
the Charnesses will perform at the Cambridge Multicultural Arts Center.
The family limits itself to two or three concerts a month. With all the
other family activities it's hard even to schedule rehearsals, let alone
performances.
"It's hard for us, believe it or not as a family, to find the time to
rehearse together," Deborah said.
Deborah and Michael met through music, and have made music a part of their
family life ever since.
"We met on a blind date. He wanted to meet a musician," Deborah recalls.
Deborah certainly fit the bill. She had studied flute in Paris, and in
1976 was selected by the American government for a concert tour of France
as part of the Bicentennial celebrations.
The couple had been dating a short time when Deborah got a call to play
at the Gardner Museum. She invited Michael to join her in the performance.
They got engaged that evening, and agreed to maintain their partnership
on stage as well as in life.
"He spent our whole honeymoon learning flute music," Deborah Charness
said.
They spread their love of music to the three children, introducing them
to an instrument as early as possible.
"These kids don't remember when they didn't play," said Deborah Charness.
Sarah chose her instrument after meeting a violinist who performed with
her father when the family lived in San Francisco.
"She'd come over and play music with my dad. I just loved the violin.
I loved everything about it. She gave me a toy violin. I would chew on
the bow and pretend to play."
Daniel become interested in the cello during a family trip to a music
store. Jenny simply chose the violin to be like her sister.
"I was a copy-catter," she said.
In addition to practicing every day, the two older kids find ways to fit
in other activities. Sarah juggles dance and gymnastics and tutors the
younger members of her temple as they prepare for their bat mitzvahs.
She spends a full day, from 9 a.m. to 6 p.m., in music lessons each Saturday,
with violin lessons in the morning, piano lessons in the early afternoon,
followed by rehearsals with the New England Conservatory Youth Orchestra.
Daniel finds time for baseball and hockey, and next year, he wants to
add another sport.
"I didn't play football this year, but I really want to," he said.
Both parents are as involved in their children's music education as they
can be. Michael Charness, who was working when the rest of the family
got together for an interview, is often up with Daniel for his early morning
practice session, then spends the evening with Sarah for hers, which leaves
only late night hours for the parents to get in their own practice time.
"When we practice, it has to be when [the kids] go to bed. Sarah didn't
start until 10:15 last night, then she practiced until quarter of 11,"
said Deborah.
Sometimes at 1 or 2 in the morning, I still hear him waddling away at
his piano," adds Sarah.
This story appeared
in The Newton Tab, Feb. 5, 1998, page 28.
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